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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

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Installing David Walsh

On the road again

Magazine article by Dr Deborah Hill, 2017

Deborah Hill talks figures with character, as the National Portrait Gallery touring exhibitions program welcomes its millionth visitor.

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Confide in Me

Magazine article by Sarah Hill, 2002

This article examines the photographic portraiture of Polly Borland.

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

Sir Charles Kingsford Smith and Captain Charles Ulm

The Wonder Years

Magazine article by Sarah Hill, 2001

Sarah Hill introduces the portrait busts of Sir Charles Kingsford Smith and Captain Charles Ulm by Enid Fleming.

Miss Robertson of Colac (Dolly), 1885-86

Brothers on farms

Magazine article by Malcolm Robertson, 2011

Malcolm Robertson tells the family history of one of Australia's earliest patrons of the arts, his Scottish born great great great grandfather, William Robertson.

Prime Minister Gough Whitlam pours soil into the hand of traditional land owner Vincent Lingiari

A handful of sand

Magazine article by Ellen Kent, 2007

Ellen Kent examines the portrait of Vincent Lingiari and Prime Minister Gough Whitlam taken by photographer Mervyn Bishop.

Mr and Mrs Horace Keats in the

Heartfelt

Magazine article by Dr Sarah Engledow, 2009

The portrait of Janet and Horace Keats with the spirit of the poet Christopher Brennan is brought to life by artist Dora Toovey.

Dan Sultan

Dan the man

Magazine article by India Bednall, 2015

Martin Philbey’s portrait of Dan Sultan.

Portrait of Ninette Dutton

In a glance

Magazine article by Dr Sarah Engledow, 2004

Dr Sarah Engledow explores the portrait of Ninette Dutton by Bette Mifsud.

Charles Summers

The importance of being bearded

Magazine article by Joanna Gilmour, 2012

Joanna Gilmour discovers that the beards of the ill-fated explorers Burke and Wills were as epic as their expedition to traverse Australia from south to north.

The Sands Brothers

Seeing stars

Magazine article by Joanna Gilmour, 2013

Joanna Gilmour explores photographic depictions of Aboriginal sportsmen including Lionel Rose, Dave Sands, Jerry Jerome and Douglas Nicholls.

Godfrey Miller

Form and reality

Magazine article by Dr Christopher Chapman, 2008

A photographic portrait by Kerry Dundas captures the contemplative mind of visionary painter Godfrey Miller.

Steve Irwin

Crikey!

Magazine article by Dr Sarah Engledow, 2006

Robin Sellick captured a rare moment of quietude from the late conservation star Steve Irwin.

Margot Rhys, 1935 by Athol Shmith

Progressive pictures

Magazine article by Aimee Board, 2017

Athol Shmith’s photographs contributed to the emergence of a new vision of Australian womanhood.

Hélène Kirsova in Petrouchka

Vintage Max

Magazine article by Gael Newton, 2003

Gael Newton delves into the life and art of renowned Australian photographer, Max Dupain.

MacKenzie family silhouette

All there in black and white

Magazine article by Dr Sarah Engledow, 2007

The National Portrait Gallery acquired a beguiling silhouette group portrait by Samuel Metford, an English artist who spent periods of his working life in America.

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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency